Some bits of news for April:
First of all, "wide" in the indie author world means making your books available at stores besides Amazon (as opposed to being in Kindle Select/Kindle Unlimited, which requires being exclusive to Amazon in 90-day periods). With brief exceptions, I've always been wide with all my books, and now I'm more committed than ever to nurturing my readership worldwide at a variety of stores. So, if you look at the buy links for my books (for example, on the Daughter of the Wildings page), you'll notice some changes (assuming you've ever looked at them before). Rather than a single Amazon link, I now have links for the main Amazon store, which serves the U.S. and other territories (fyi, this is my Amazon affiliate link), direct links for the Australia, Canada, and UK stores (the next three biggest for my readership), followed by an Amazon International link. This will (or should) automatically redirect you to the correct Amazon site for your country.
Following this is Barnes & Noble (which unfortunately I believe is U.S. only), Google Play (international), iTunes and Kobo, which are both global links that will take you to the correct store for your country, Smashwords (international), DriveThruFiction (international?), and More Stores. This is where it gets cool - this last link will (or should) take you to Books2Read.com, where you can select your preferred store from among 15 or so, including the main stores and a variety of international stores such as Indigo in Canada, FNAC in France, and Thalia in Germany. So, no matter where you are in the world, I hope you'll be able to find my books at your favorite ebook store. And, just as a reminder, for paperbacks, international readers can find my books at Book Depository and receive free worldwide shipping!
Next, the Defenders of the Wildings revision is coming along. I'm not where I meant to be by now, but I always overestimate how fast I can work and underestimate how much work needs to be done. Book 1 is out to the beta readers right now; I did take the time to do a second edit on it before sending it out, because that book was a mess. It's three books combined into one, and at different times in the drafting process those three books were in different orders. But I was pleased when doing that second edit to discover that it wasn't as bad as I was afraid it was! So we'll see what the beta readers say. I'm hoping/aiming for a release in July. We'll see.
Unfortunately, the artist who did the covers for the Daughter of the Wildings series turned out to not be available to do the Defenders covers. I've commissioned another artist, and work on the covers will start in late April. So watch for a cover reveal coming up in a few months! (Psst: subscribers to my newsletter will get the first peek.)
Finally, speaking of wide, I'm going to be widening my horizons with some travel this month. So I probably won't be posting again until the end of the month; watch for pictures as I show you where I've been!
(First, I don't know why the date says 3/15; I started the draft that day but I'm posting this on 3/21. Anyway, on with the post.)
When Silas met Lainie:
“You need any help?” he asked the girl.
“No, thanks.” She got to her feet, brushing dust off her pants. She also wore a gunbelt with a holstered revolver; Silas had no doubt she knew how to use the gun. “I better get on with my errands before they start shooting again. Hey, Gobby!” she shouted at the group of arguing men in the street. “The same thing from my Pa! He ever catches you on his land again, he’ll shoot you so full of holes you can piss from ten places at once!”
The bearded man’s face broke into a leering smile. “Miss Lainie, you tell your Pa for me that this land ain’t owned by no one an’ I’ll drill wherever, whenever, an’ –” he leered more broadly “– whoever I want.”
Miss Lainie responded with a rude gesture. Gobby went red above his beard, and the men from the Bootjack laughed. One corner of Silas’s mouth quirked up; he liked a woman with spirit.
He offered her his arm. “I’d be happy to escort you while you do your business, in case there’s any more trouble.”
She eyed him head to toe, her gaze lingering on the large revolver holstered at his left hip. Though firearms were considered anti-magical and were therefore forbidden in Granadaia, no mage hunter would last a nineday in the Wildings without one. Silas had specially modified this piece himself; mundane bullets alone couldn’t be depended on to take down a strong and highly skilled mage.
“My Pa don’t like me going around with strange men,” she said.
“Well, then. I’m Silas Vendine.” He added the usual name-slip charm as he spoke his name, to make it harder to remember, though it didn’t always work very well with other mages. Then he grinned at her. “I may be strange, but at least now you know my name.”
Want to know what happens next? Download Beneath the Canyons for free as part of the amazing giveaways below!
Or, if you prefer, you can buy it for only $0.99 (yes, I lowered the price, but I don't know how long it'll stay this low!) at your favorite ebook store.
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This is posted elsewhere on the site, but just in case you never make it that far into the site, here's the first chapter of Beneath the Canyons (newly re-re-edited edition):
BITTERBUSH SPRINGS. FROM Silas’s vantage point in the rocky hills to the east, the town didn’t look like much, just a dozen or so wooden crates laid out in rows, brown and quiet in the hot summer sun. He reached out with his mage senses towards the town and the valley beyond, seeking the strange magic he had followed here.
There it was, strong, for him to have sensed it from several days’ distance, dark and alien, but at times mixed with flashes of more familiar kinds of power. A hell of a lot of magic for a place where no mage would dare show himself openly.
No doubt about it; something strange was going on in the Bitterbush Valley. And, with any luck, there would be a nice, big bounty in it for him from the Mage Council.
If not, some serious belt-tightening lay ahead of him. Five years of making a good living hunting renegade mages in the more settled eastern part of the Wildings had been shot to all the hells when a passel of greenfoot mage hunters flooded through the Gap from Granadaia, looking for quick, easy fame and fortune. Mostly what those amateurs had managed to do was chase away the smartest and most dangerous rogue mages, the ones who were worth the highest bounties.
With his money running low, Silas had come west to the more remote parts of the Wildings, hoping for better hunting. Rumors of a mining rush in the Bitterbush Valley had caught his ear, and not long after he set out to follow the rumors, he had sensed the bursts of unusual magical power coming from the area. It made sense; a mining rush was indeed just the sort of thing a rogue mage might try to horn in on, looking for quick riches. Though that darker power didn’t feel like any ordinary mage.
Silas surveyed the valley again. It looked like good cattle country, grassland bleached gold in the hot, dry weather, well-watered by seasonal washes and a handful of running streams. A number of ranch compounds and farms lay scattered the length of the valley from north to south, and herds of cattle and sheep roamed the rangeland. All signs of prosperity that might also provide tempting opportunities for a renegade mage.
Silas settled his hat firmly on his head, made sure his revolver was loaded, and checked that the shield inside him concealing his power was solidly in place and seamlessly camouflaged. It wouldn’t do to let the rogue mage, if there was one, know that another mage had arrived in town.
His Island-dark skin was another matter. It could give him away to both mages and mage-hating Plain settlers as a member of one of the elite Island mage families back in Granadaia, but there was nothing he could do to change that. Anyhow, his skin wasn’t so dark that it couldn’t be mistaken for a deep tan, and during his years in the Wildings, he had grown adept at passing himself off as a descendant of the servants and slaves the Island mages had brought with them to Granadaia.
With an earnest prayer to the Provider for good hunting and a fat bounty, he nudged Abenar, his big gray speckled gelding, into a walk. Keeping to the trail marked by stakes hung with white feathers, indicating safe passage through the A’ayimat-controlled hills, they headed down the pass.
As the trail descended into the valley, it turned into a road that crossed the valley from east to west. Silas followed the road into town, where it intersected with a second road running north and south, then stopped to get his bearings.
On the north side of the crossroads, two saloons, the Bootjack and the Rusty Widow, faced each other across the street like two gunfighters squaring off. Laughter and a discordant jangling of competing hammerboxes spilled out of the saloons. The Rusty Widow and the bank both boasted tall false fronts and fancy painted signs that looked brand new. In an empty lot southeast of the intersection, a large sign proudly proclaimed, Future Site of the Bitterbush Springs Grand Music Hall and Variety Theater. Towards the north end of town stood a half-built building of imposing size.
It looked like a large amount of money had recently come to town, more evidence of the mining rush – and more bait for renegades.
Silas turned right and rode up the street in search of stabling and a place to stay. Next to the Rusty Widow Saloon stood a two-story building, also sporting a new false front with Mundy’s Boarding House painted on it in elaborate letters. A big sign in the front window read, Rooms to let. 2g per nineday.
Silas let out a low whistle. Two gildings a nineday was an enormous sum for a room in a boarding house in the Wildings, especially this far west. This was going to make a bigger dent in his funds than he’d planned on.
The saloons probably had rooms to let on their upper floors as well, but those were likely to be just as expensive as the boarding house, not to mention more distracting. Not that Silas was averse to enjoying the amenities to be found in such establishments, but for now he needed to concentrate on work. And since there didn’t appear to be a hotel in town, the boarding house it would have to be.
On the other side of the boarding house stood a stable, where a boy was tossing pebbles into a circle scratched in the dirt of the yard. Silas rode over and gave the boy a penny to watch Abenar and his belongings for a moment. He took note of the smithy behind the stable; Abenar badly needed new shoes. Silas hoped getting a horse shod in this town wasn’t as expensive as renting a room in the boarding house.
He pulled on his long brown duster, which he had shed in the heat of the day and draped over the saddle behind him, then walked back to the boarding house to inquire about a room.
A crash from inside the saloon across the street caught his attention. He turned to see a big-bellied, bushy-bearded man come flying backwards through the swinging doors of the Bootjack. The man landed on his back in the street, then leaped to his feet with surprising speed for a fellow his size. A second, much thinner, man charged out of the saloon and plowed into him, knocking him down again. The two men tussled in a cloud of dust, rolling along the street until they came to a stop in front of the boarding house, the skinny man pinning the bearded man face down with a knee in the small of his back.
“I ever catch you digging on my land again, I’ll draw an’ quarter you an’ chop you up for dog feed!” the skinny man yelled. “You hear me, Gobby?”
In a blur of motion, Gobby twisted out from under the other man and dropped him with a blow to the jaw that sounded like an axe thunking into wood. “You threatening me, Redlun? Cause if you’re gonna threaten me, you better be ready to back it up!”
“Yeah, he’s threatening you,” said a man with an extravagant mustache who stood in front of the Bootjack. His right hand dropped to the holster at his hip and came up holding a six-shooter aimed straight at Gobby. “An’ I’ll back up his threats for him.”
Bullets were about to fly. Silas’s first instinct was to throw a protective shield around himself, but he suppressed it. The bullets dropping harmlessly to the ground, slowed by their passage through the shield, would give him away to any other mages who might be around and to the Plain folk of the town. He had more important things to do than deal with a bunch of Plains trying to hang him. Instead, he stepped back into the shadows of the covered wooden sidewalk in front of the rooming house and edged out of the possible line of fire. Without knowing anything about the dispute, he would do better to not get involved.
A handful of men burst out through the swinging door of the Rusty Widow, the saloon next to the boarding house, and stood clustered on the sidewalk, watching. Gobby, now also holding a gun, got to his feet and turned to face the mustached man across the street. “Well, Winnard? You think you can beat me?”
“I can –”
A gunshot exploded from the group in front of the Rusty Widow. Winnard tumbled back against the wall of the Bootjack and collapsed, blood spreading across the right shoulder of his shirt. More men came pouring out from both saloons, and wild gunfire erupted. A handful of stray bullets hit the wall of the boarding house next to Silas; he dove aside, holding onto his hat, and hit the sidewalk.
From up the street came a wild burst of magical power, panicked and uncontrolled, strong enough that Silas could feel it even through the shield on his own power. It felt familiar; he recognized it from the flares of magic that had led him to Bitterbush Springs.
He started to raise his head to try to spot the mage, then a bullet split a board in the wall of the rooming house not one arm-length above him. He pressed himself even flatter against the boards of the sidewalk as the shootout went on, praying to the Defender that the gunfire would stay away from the stables and Abenar.
Then, for no reason Silas could discern, the shooting stopped. “What’s all this, boys?” a deep, resonant voice called out into the sudden silence.
Silas raised his head. Three men lay sprawled in the street. One was writhing in pain, the other two were still. The shooters who were still standing had all lowered their guns and were looking at the Rusty Widow. Silas turned his head to follow their gaze.
A tall man with a hearty build, handsome, pale face, and luxuriant black mustache was standing in front of the saloon. He wore a finely-fashioned black suit and black flat-brimmed hat. Two house ladies bedecked in lace and ruffles appeared behind him, clinging to his arms and peering around him into the street.
“Redlun an’ Winnard threatened me, Mr. Carden, sir,” Gobby said. “Me an’ the fellas was just defending ourselves.”
Silas stood up, making sure his hat was still in place, and brushed dust from his long brown coat. He kept close to the wall, in the shadow of the overhang, curious about this man who had the power to stop a gunfight just by appearing.
The black-suited man turned and put his arms around the house ladies. “Go back inside, my dears. No need to worry yourselves.”
The ladies retreated into the saloon, and Carden stepped down from the wooden walkway into the street. He stopped in front of Gobby, shaking his head. “Don’t tell me you went into the Bootjack again, Gobby,” he said in a genial tone. The crispness of an educated Granadaian accent underlay his informal Wildings speech. “You know damn well that’s rancher territory. You’re stupid enough to keep going in there, you deserve whatever you get.”
“When are you gonna start paying us for the ore that was taken off our land, Carden?” shouted Winnard, the wounded man in front of the Bootjack. The right side of his shirt was soaked with blood, but judging by the anger in his voice, he was a long way from dead.
“If you have a difference with me, Winnard, I’d be happy to discuss it peacefully,” Carden replied. “There’s no need for anyone to be shooting anyone else.”
Two men helped Winnard up, then they and several other men from the Bootjack walked over to Carden and started arguing with him. Gobby and some of the men from the Rusty Widow joined in. A whip-thin, bandy-legged man with a silver sword-shaped badge pinned to his shirt came over as well, but he stood back and remained silent.
Silas couldn’t make out what the men were saying, but their argument wasn’t what interested him the most at the moment. Taking care to avoid attracting any attention, he walked up the street towards where the burst of magic had come from.
If you want to read the rest of the story, Beneath the Canyons is available to download for free - yes, that's F-R-E-E! as part of these fabulous giveaways:
Here are some ebook giveaways I'm participating in this month. Lots of free ebooks, including the newly re(re)edited version of Beneath the Canyons!
March 1-31: Love westerns? Find them here at the Wild West Giveaway! Traditional, weird, sf/fantasy, romance, and more, all free on Instafreebie! (Please note that some books may require you to sign up for the author's email list in order to receive the free download.)
March 1-31: It's March Fantasy Madness! Over 100 free ebooks, epic fantasy, sword and sorcery, urban fantasy, paranormal romance, and more. (Please note that some books may require to you sign up for the author's email list in order to receive the free download.)
February marked my 5-year publishing anniversary, and I'll be back soon with a look at the last 5 years, and what I've done and what I've learned.
I hope everyone had a wonderful holiday season (if you celebrate) and that things are settling down nicely as the new year gets going. I started out the new year recovering from Christmas and digging out from under all the boxes and decorations. Hey, this year I got everything put away before the end of January! It's also been a time for looking at where I've been and where I'm going, writing-wise, and what's been working and what hasn't, and what I need to get caught up on.
The first thing is that the paperback of Heir of Tanaris is almost ready. I have the proof copy; I just need to look it over and approve it. After that, it should be available on Amazon within a few days, and hopefully on the Barnes & Noble site some time in the near future. For those not in the U.S., my paperbacks should also be available from Book Depository.
I'm also still working on the Defenders of the Wildings revision. I thought I had the storyline and the different books sorted out, but something still wasn't right. Then, just last week, I decided instead of six short books, the series needs to be three longer books. Some of the shorter books just weren't working as self-contained book. So I'm combining books 1, 2, and 3 into Book 1, and books 4 and 5 into Book 2. The sixth book, which is longer than the others, remains its own book, Book 3. The working titles are "The Prairie Wells Range War" for book 1 and "The Wildings Mages Defense Association" for book 2. Haven't come up with anything I really like for book 3 yet. Thinking up titles is one of the hardest parts of writing for me. :P This change isn't going to require any major rewriting beyond what I already know needs to be done, mainly some work to adjust the transitions between parts of the books and make sure the structure of each book is solid. We're doing some traveling in April and I wanted to have the revision of the whole series done and out to the beta readers by then, but I don't know if that's going to happen. I never seem to be able to work as fast as I want to.
Waiting in the wings for me to get to it is Tales of the Source-Breakers, a set of three prequel stories to Source-Breaker. This will be a newsletter exclusive, at least for a while; sign up for my email list to make sure you get it as soon as it's ready! I'm also planning a trilogy set in the Islands of the Daughter of the Wildings world; that's a little ways out from being ready to write yet.
Right now, I've also got a special deal going on my two box sets. Through January 29, you can get 40% off the Love and Magic and Daughter of the Wildings Books 1-3 box sets at Kobo and Smashwords! (regular price $6.99)
Kobo: 40% off Box Set Sale - use coupon code BOX40 at checkout. You can browse the entire sale, check out the science fiction and fantasy selections, or go straight to my books on the Kobo site: Love and Magic | Daughter of the Wildings Books 1-3. You can use the discount code as many times as you like! If you don't have a Kobo ereader, you can download the free Kobo reading app.
Smashwords: Daughter of the Wildings Books 1-3, use coupon code BC88R at checkout.
Love and Magic, use coupon code DV59X at checkout.
Smashwords sells in multiple digital formats; see this guide on the Smashwords site for instructions on how to load books purchased from Smashwords to your device. For Kindle devices and apps, I recommend the Send to Kindle app.
Remember, these deals only last through Jan. 29, and are only available at Kobo and Smashwords!
Okay, so it's been a while. After I released Heir of Tanaris, I did a re-edit of the whole Daughter of the Wildings series, fixing up a few things I wasn't quite satisfied with, and also brushed up the blurbs. And Write Dream Repeat Book Design did these nifty new title treatments on the covers!
Pretty cool, huh? :) All six books wouldn't fit on the banner she made for me; you can check them all out on the series page.
To celebrate the update, Beneath the Canyons is only 99 cents until after New Year's.
Amazon | Barnes&Noble | Kobo | iTunes | GooglePlay | Smashwords | DriveThruFiction
So now it's on to updating the paperback versions and also doing the paperback of Heir of Tanaris, and the revision of Defenders of the Wildings. Yes, this is a thing, even though it's been delayed a while. The whole thing is written, I just need to beat it into shape. As part of that process, I made a Story Grid of the entire series. It's pretty long, so I couldn't fit it all into one picture. Here's the left side, from the start to the first part of Book 5 (Books 5 and 6 are a lot longer than books 1-4), partly because I forgot in the first draft to put the plot in book 1; what's in the grid is a skeleton plot that will need to be fleshed out a little more):
And here's the right side:
As you can see, I had fun with my colored gel pens :) The pacing and flow, the ups and downs of the different storylines, actually came out pretty good. I don't have to make a lot of adjustments to the story structure. The actual writing... That's another story (lol). At this moment, I'm well on the way through typing up the final revision outline and notes, and I should be ready to start marking that puppy up with the red pen this week. This revision method takes a lot of planning, but saves a lot of time and trouble later on. If I think of something I need to add, delete, or change, it's just a matter of making the changes in my revision outline, rather than having to go back and rewrite something I've already rewritten once. I'll probably have to do some of that anyway, but planning it all out ahead of time will keep it to a minimum.
So this should keep me busy for a while. I'll post updates whenever I have something interesting to report. In the meantime, I've got a stockpile of short stories waiting to be edited and posted or released for sale, when I get a chance, so watch for those.
I am very happy to announce that Heir of Tanaris is (finally) available at the following retailers:
Amazon | Barnes&Noble | Kobo | iTunes | GooglePlay | Smashwords | DriveThruFiction |
The ebook is only 99 cents through October 19; after that, the regular price will be $4.99. The paperback will be coming in a few weeks, probably.
Here's the description: As a young boy, Davian was sold into slavery at Source Makarsk, a corrupted magical wellspring. Over the years, he has risen in the ranks of the slaves; still, he knows he will never be anything but a slave until an elderly wizard, a prisoner at Makarsk, tells him he can be something more and gives him an astonishing gift. Desperate to find the destiny the wizard promised him, Davian risks his life to escape from Makarsk.
Isamina, a talented young healer at Sharan, a Source of healing magic, loves caring for patients and has a special gift for soothing their fears and pain. But her parents, the Master and Matron of the Source, and her betrothed, her former teacher, doubt her abilities and have their own plans for the path her life should follow. And the kind of healing Isamina most wants to do, mending broken minds and spirits, is strictly forbidden at Source Sharan.
When a badly-injured runaway slave is brought to Sharan, Isamina is captivated by the man she senses deep inside and risks everything to try to heal his tormented spirit, damaged by the evil Source that still holds him prisoner. And Davian, hunted by Makarsk's fearsome Guardian, must find a way to defeat the powerful magic that binds him to Source Makarsk so that he can become the great man he longs to be and win the love he yearns for, the love of his healing angel, Isamina.
Romantic high fantasy for adults [for some reason, people get the idea that my books are YA, which they most definitely are not]. Contains violence, mild to moderate sensual content, and disturbing themes.
You can read the first chapter here.
Heir clocks in at 100,000 words, by far the longest of my novels except for Lost Book of Anggird, which is in the neighborhood of 130,000 or so. Still only 1/3 to 1/4 the length of your average fantasy doorstopper, but long for me. Which is why it took so long to release it; I'd forgotten what a challenge it is to work on such a long book, and just how long it takes.
Next up, some fine-tuning of Beneath the Canyons; there are some things about the execution of it that I'm not really satisfied with. At the same time, I'll be continuing with revision prep for the Defenders of the Wildings series.
Wow, between a cold and working on edits to Heir of Tanaris, September just blew right by. I was hoping to release Heir by the end of September, but that didn't quite happen. It's in the proofreading stages right now, and I'm looking at releasing it sometime next week.
In the meantime, I got a real book designer (Write, Dream, Repeat Book Design) to re-do the title treatment on the cover, instead of me just slapping something on it, and here's what she did:
I love the extra decorative touches to make it look like a real book cover.
She also re-did the titling on the covers of the other Tehovir books:
I love the branding on these. Watch for the new covers to roll out next week with the release of Heir of Tanaris.
And you should see what she did with the Daughters of the Wildings covers! There are some things with Beneath the Canyons that I'm not quite satisfied with, so that book will be undergoing another edit (no changes to the story, world, or characters; just the execution could use some fine-tuning). As part of this update, I decided to get new cover treatments to better reflect the fantasy-western genre blend. Same great art by Mominur Rahman, with nifty new design by WDR Book Design! Watch for those probably in November.
And yes, Defenders of the Wildings is still in the pipeline. I put the revision on hold while I finish up Heir of Tanaris, but I'll be getting back to it as soon as Heir is released.
You may or may not notice a slight difference in the site banner and the cover gallery over to the side - I've done a slight refresh of the cover of Beneath the Canyons, and also got a shiny new cover for the Daughter of the Wildings boxed set! Here it is in all its glory:
Write, Dream, Repeat Book Design put that beauty together for me :D
And here's my refresh of the Canyons cover:
Same awesome art by Mominur Rahman, but I adjusted the color and lighting a bit and changed the color on the lettering to bring out that magical glow thing happening around the edges of Silas and Lainie, coming off of the ore they're holding, and also cropped in a little closer on the characters so that the magic is a more prominent element.
Anyway, as for actual books, I'm still chugging along. I've been slightly less exhausted this week than I was last week, but my brain is very unfocused. I'm mainly concentrating my efforts on the second big revision of Heir of Tanaris right now; I want to get that done and edited and released. I'm going to go out on a limb here and say end of September, but I can't make any guarantees this far out.
Once Heir of Tanaris is out, I'll turn my full focus (such as it is) to Defenders of the Wildings. I've got another story/series idea I want to work on, that I think I can set in the Islands of the Wildings world, but first I'll just work on the big edit on Defenders. It's almost scary how much work it's going to need, but I'm trying out a process that I hope will let me cut my two major revisions down to one. I also have a bunch of short stories I've been meaning to get to in the evenings on days when I get my full quota of work done during the day, but that never happens. At least I'm making progress, slow though it may be.
Whew, ok. Yes, I'm still here, up over my head in revisions on two large projects, Heir of Tanaris (the upcoming Tehovir novel) and Defenders of the Wildings, the follow-up series to Daughter of the Wildings. I'm making progress; Tanaris went out to the beta readers early in the month and the reports are coming back in, and I finished making my revision notes for Defenders (a couple hundred pages' worth) and now I'm trying to systematically set about making sense of it all and organizing the revision so I don't miss anything, from adding the actual plot to book 1 to characters whose reason for being in the books I'm still figuring out to what exactly that green stuff is.
I've also got some more short stories I want to put into a collection, and then there's the Source-Breaker stories, which will be a newsletter exclusive. Life's been kind of crazy for the last month, with one thing and another, but hopefully things will settle down. I'm hoping to be able to cut back on extra demands so I can recover from everything and get caught up on my writing projects.
Since I'm always trying to improve my writing craft, besides my usual revision methods I'm working my way through The Story Grid by Shawn Coyne, which is basically like a big textbook about story structure and story theme and how they work together, and how to analyze them in your project. I'm doing this with the revised version of Tanaris, and it's making me look at things in a different way that's both mind-blowing and makes a lot of sense with how I think about writing. I'll definitely be incorporating it into my workflow. It might even streamline my process a little by catching more of the big issues at the beginning of revisions.
With Heir of Tanaris coming into the later stages of revision, I think I'll do the cover reveal coming up before too long. Newsletter subscribers will get the first peek, so if you're anxious to see this gorgeous artwork, sign up if you haven't already! And Sivael from Source-Breaker has been waiting to be interviewed, so I'll try to get to that next. Back to work :)
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